A wonderful, funny, odd, and unique film.

Strong acting all around (Jack Palance is amazing). Inventive use of distorted colors and changing camera speeds. A few moments get a bit precious, but generally one of the best uses I've seen of a slightly surreal style to tell a very touching, human story - an overweight, depressed Bavarian housewife is left stranded in the southwest desert by her husband, and slowly finds herself, and a home among the odd characters who live and work at the Bagdad Cafe.

This is a case where brave film-making enhances rather than distracts from emotional involvement. The basic theme (we're all weird, and we all need somewhere to fit in) is nothing new, but the approach here makes it delightful and fresh.

The original 15 minute longer 'director's cut' available on European DVDs does add some nice details, moments and filling out of characters. The film works fine in its shorter US version, and the Italian DVD of the director's cut I got was frustrating in that it had a a weaker visual transfer than the US DVD, and there were Italian subtitles you couldn't turn off, but I was glad to see it, and overall it's an even stronger film with the original material added back in.

A overweight German tourist is dumped in the middle of nowhere by her angry husband and puts in motion a set of unlikely comic and touching events.

Here in the Internet age we can do a lot of good work digging up and re-appraising films that deserve to be seen. While this is film might not to be everyone's taste it is a wonderful light drama about people of no particular importance doing very little beyond learning about each other.

Yet it works so well and haunts you for days after seeing it.

For reasons I also can't explain I find the American hinterlands strangely poetic and underused. Films such as Paris, Texas and The Last Picture Show also used these regions effectively.

More than any other film I have seen it cannot really be explained in words. It is about atmosphere and delivery and superb acting for a cast of - mostly - unknowns. It doesn't really have a plot as such and merely lingers in small-town America and observes small town mores and manners with cold detachment.

A little gem.

A lonely German woman (Marianne Sägebrecht) ends up in the most desolate motel on Earth and decides to make it brighter.

Whether or not this is a good film is really hard for me to say. I suppose it is, but really it is more of an oddity than anything else. A German film that takes place in America where Germans (who speak poor English) are tourists? Okay. That is different.

Those who want to see a young CCH Pounder in action will appreciate this film, but it is Jack Palance that steals the show. He seems just as out of place as the Germans, and watching him interact with everyone seems so strange. Pounder claims that Palance had to act off-camera in the romantic scenes because he found Sagebrecht unattractive. I can believe it, because everything Palance does seems so distant.